So as has become our tradition, here is a look at some of OperaWire's editorial team's picks for their personal favorite ...

To learn from Maestro Paolo Arrivabeni about his journey before he steps on the podium to conduct an opera or a symphony is ...

Francis Poulenc and Georges Bernanos’s “Dialogues of the Carmelites” is one of the twentieth century’s greatest musical ...

The opera begins with Rigoletto opening that box and caressing Gilda’s bloody dress. That leads us into the past with the ...

The sensibility, ethereality, and cunningness of “The Rake’s Progress” are even more pronounced in the revival of Olivier Py ...

In his program notes, the director, Pier Luigi Pizzi, writing about “Il Ritorno di Ulisse in Patria,” stated that “the opera ...

It is time to wrap up the year and look back at our favorite moments and performers. In a year of celebrating Puccini, there was a lot of Puccini around the world. It was a chance for Korean tenor ...

An early gem by Donizetti is reborn as part of the #donizetti200 project during the Donizetti Opera Festival’s tenth ...

General Director of the Teatro alla Scala Dominque Meyer has condemned the boos against soprano Anna Netrebko at the opening ...

Following on from the previous day’s performance of Monteverdi’s “Il Ritorno di Ulisse in Patria,” Ravenna’s Teatro Alighieri ...

Glyndebourne has announced the appointment of Laura Jukes to the role of Director of Audiences.

Russian baritone Mikhail Timoshenko began his musical and theatrical training in Mednogorsk, then at the Franz Liszt ...